Along the way, a total of 750 subjective emotional responses to tunes composed in popular raagas of Carnatic music are empirically investigated to find out the long speculated relation between raagas and rasas (emotion clusters). Koduri and Bipin Indurkhya results show that ragas are quite useful as a first step in a different direction towards content-based music recommendation. Parag Chordia and Alex Rae results suggest that raagas do consistently elicit specific emotions that are linked to musical properties and the responses from people did not differ significantly for enculturated and non- enculturated listeners, suggesting that musical rather than cultural factors are dominant.

al analysis show strong correspondence between the pitch patterns of each raga and its emotion and traditional performance time with the use of the Harmonic Network. Key words Carnatic music, Neuronal dynamical system, Bivalent additive BAM, Synaptic connection matrices.

The conclusion of this paper is given in the final section Section 3 provides the description of the problem and hidden pattern. The proposed method from the field of fuzzy logic is demonstrated in SectionĢ.

Section 1 describes some basic ideas of Indian Classical Music and few previous works on it. In this paper, we propose an idea of how the properties of Carnatic raagas (Indian Classical Music) relate with the emotions while listening Tamil Christian devotional songs. Emotions characterize life as well as art. One element that is common among all performing arts is their ability to express the emotions which make up different slices of life.

PG & Research Department of Mathematics, Loyola College, Chennai-34, IndiaĪrt is a means of expressing emotions to the fullest. A Comparative Study between Properties of Carnatic Raagas and Emotions of Devotional Songs Using Bidirectional Associative Memories (BAM)

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